Tag: Textiles

12 African Artists Leading a Culture Renaissance Around the World

Media Library

In one of his famed self-portraits, Omar Victor Diop, a Senegalese photographer and artist, wears a three-piece suit and an extravagant paisley bow tie, preparing to blow a yellow, plastic whistle. The elaborately staged photograph evokes the memory of Frederick Douglass, the one-time fugitive slave who in the 19th century rose to become a leading abolitionist, activist, writer and orator, as well as the first African American to be nominated for vice president of the United States. Diop is no stranger to portraying the aches and hopes of Black people…

‘Youth (Spring)’ Review: Garment Rending

Media Library

Despite running three and a half hours, the documentary “Youth (Spring)” withholds a great deal. That isn’t necessarily a criticism. The film is the latest documentary from Wang Bing, a persistent and widely admired chronicler of China’s downtrodden — its migrants, its outsiders, its mental patients and its survivors of forced-labor camps. “Youth (Spring)” is partly a follow-up to his “Bitter Money,” which opened in New York in 2018 and concerned the textile boom in Huzhou, China; the city had become a destination for migrants eager for work. While “Bitter…

The Chinese Dream, Denied

Chin@Strategy

The narrow alleyways of Haizhu district have long beckoned to China’s strivers, people like Xie Pan, a textile worker from a mountainous tea-growing area in central China. Home to one of the country’s biggest fabric markets, Haizhu houses worker dormitories and textile factories in brightly colored buildings stacked so close that neighbors can shake hands out their windows. Once a smattering of rural villages, the area became a manufacturing hub as China opened its economy decades ago. The government had promised to step back and let people unleash their ambitions,…

Doppa, a Central Asian Hat, Guides Quest for Uyghur Roots

Chin@Strategy

The woman’s first doppa was embroidered with a rose bed and intertwining black leaves — a motif signifying beauty, spiritual connectedness and resistance. The doppa, a traditional skullcap worn across Central Asia, was passed down to the woman, Subhi Bora, as a girl by her mother, who is Uyghur, a predominantly Muslim, Turkic group from the autonomous region of Xinjiang in northwestern China. Ms. Bora, 31, who grew up in Sydney after her parents fled China, had conflicting feelings about her different cultural identities and never wore the hat outside…