WASHINGTON — Chinese photography erupted with creative energy in the early 1990s, only to subside about a decade later. It was a period of anxious uncertainty. The encouragement of capitalist practices and the partial easing of restrictions on political and artistic expression of the ’80s had ended abruptly and tragically with the Tiananmen Square massacre of June 4, 1989. By 1992, it was apparent that economic reforms would continue full throttle, but the political relaxation of the ’80s would not. In that troubled time, there was an outpouring of artistic…
In Chinese Photography, Political Anguish Made Physical
